{"id":2089,"date":"2026-09-01T10:23:02","date_gmt":"2026-09-01T10:23:02","guid":{"rendered":"https:\/\/uscnews.org\/?p=2089"},"modified":"2026-09-01T10:23:02","modified_gmt":"2026-09-01T10:23:02","slug":"aaron-sorkin-hits-refresh-on-facebook-in-the-social-reckoning-fall-movie-preview","status":"publish","type":"post","link":"https:\/\/uscnews.org\/?p=2089","title":{"rendered":"Aaron Sorkin hits refresh on Facebook in \u2018The Social Reckoning\u2019 \u2014 Fall Movie Preview"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/dims.apnews.com\/dims4\/default\/ab9c623\/2147483647\/strip\/true\/crop\/4000x2665+0+0\/resize\/980x653!\/quality\/90\/?url=https%3A%2F%2Fassets.apnews.com%2F90%2Fcb%2F9daa9e3f9c670880edd2fad3633b%2F53a9baa19cc94e7b89a0a38cdf2e15a7\" width=\"100%\" \/><small>This image released by Sony Pictures shows writer-director Aaron Sorkin, left, with actor Mikey Madison on the set of \u201cThe Social Reckoning.\u201d (Leah Gallo\/Sony Pictures via AP)<\/small><\/p>\n<p>2026-09-01T10:00:56Z<\/p>\n<p>NEW YORK (AP) \u2014 When <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/movies-general-news-924af1362d3b43bd8562d60f8a36652f\">Aaron Sorkin<\/a><\/span> made 2010\u2019s \u201cThe Social Network,\u201d he had heard of Facebook, <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/www.smh.com.au\/technology\/a-generation-seen-through-the-social-network-20100925-15qv7.html\" target=\"_blank\" rel=\"noopener\">he said at the time<\/a><\/span>, \u201cthe way I\u2019ve heard of a carburetor.\u201d Sixteen years later, he has a much deeper idea of what <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/hub\/mark-zuckerberg\">Mark Zuckerberg\u2019s<\/a><\/span> social media empire has become.<\/p>\n<p>\u201cBack then, Facebook was a way to keep in touch with people you went to high school with. It\u2019s something much different now,\u201d Sorkin says. \u201c\u2018The Social Network\u2019 was about the invention of Facebook. \u2018Social Reckoning\u2019 is about what it\u2019s become and, in particular, Facebook\u2019s role in the rise of extremism and divisiveness.\u201d<\/p>\n<p>\u201cThe Social Reckoning,\u201d which Sony Pictures will release Oct. 9, is one of the most timely movies arriving in theaters this fall. Last week, Sony debuted <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/www.youtube.com\/watch?v=MfHEZw7Xw_c\" target=\"_blank\" rel=\"noopener\">the film\u2019s trailer<\/a><\/span> the same day that Meta, Facebook\u2019s parent company, <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/article\/meta-trial-instagram-settlement-97d342f2a33d835eda2356c5e1af9e37\">agreed to pay up to $18 billion<\/a><\/span> in penalties over claims its platform endangered children.<\/p>\n<p>\u201cThe Social Reckoning\u201d is poised to further scrutinize the social media behemoth at a time when Zuckerberg is under greater pressure than ever over the role Facebook plays in contemporary life and politics.<\/p>\n<p>\u201cWhen you see this movie, No. 1, I want you to be entertained,\u201d Sorkin said in a recent exclusive interview with The Associated Press while doing the final mix on the film. \u201cNo. 2, you should be alarmed when you see the movie. I think people will be.\u201d<\/p>\n<h2>Tech moguls are getting their close-up this fall <\/h2>\n<p>\u201cThe Social Reckoning\u201d is one of several films this fall that will take aim at the tech moguls who have helped remake American life. Alex Gibney will unveil his four-hour documentary on Elon Musk, <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/tiff.net\/films\/musk\" target=\"_blank\" rel=\"noopener\">\u201cMusk,\u201d<\/a><\/span> on Oct. 16. <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/article\/openai-artificial-amazon-neon-6879fc8605701a3254f0f4fedb7a2e8c\">Luca Guadagnino\u2019s \u201cArtificial\u201d<\/a><\/span> dramatizes the saga of Sam Altman, the OpenAI chief executive.<\/p>\n<p>But \u201cThe Social Reckoning,\u201d which Sorkin wrote and directed, is sure to cause a stir given not just its subject but the legacy of \u201cThe Social Network.\u201d Often cited as among the best American movies of the century, the film \u2014 directed by David Fincher and written by Sorkin \u2014 did much to examine and mythologize the origins of Facebook. It is, Sorkin acknowledges, a lot to live up to.<\/p>\n<p>\u201cTo tell you the truth, I was hesitant,\u201d Sorkin said. \u201cI recognize the shadow that \u2018The Social Network\u2019 casts. But I think what\u2019s going to happen is, 10 minutes into the movie, you\u2019ll have forgotten about that and be invested in this.\u201d<\/p>\n<p>    <a><\/a><\/p>\n<p>    <!-- AP \"Read More\" embed (place mid-article) --><\/p>\n<p>  <button type=\"button\" aria-expanded=\"false\"><br \/>\n    Read More <span aria-hidden=\"true\"><\/span><br \/>\n  <\/button><\/p>\n<p>For the 65-year-old Sorkin, \u201cThe Social Reckoning\u201d isn\u2019t a sequel. It\u2019s centered on the same figure, Zuckerberg, but captures him and his company at a dramatically different stage.<\/p>\n<p>\u201cIt\u2019s as if Henry Hill showed up in \u2018Casino,\u2019\u201d says Sorkin, alluding to the \u201cGoodfellas\u201d protagonist.<\/p>\n<p>Sorkin began contemplating \u201cThe Social Reckoning\u201d around 2019, the same time he wrote <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/www.nytimes.com\/2019\/10\/31\/opinion\/aaron-sorkin-mark-zuckerberg-facebook.html\" target=\"_blank\" rel=\"noopener\">an op-ed in The New York Times<\/a><\/span> addressed to Zuckerberg. It alleged Facebook \u2014 which had just announced it was no longer going to fact-check political ads \u2014 was responsible for \u201ccrazy lies pumped into the water supply that corrupt the most important decisions we make together.\u201d Zuckerberg responded by quoting Sorkin\u2019s own dialogue from \u201cThe American President\u201d about free speech.<\/p>\n<p>\u201cI read this, and I thought: it\u2019s just impossible that Mark and the people around Mark don\u2019t know the difference between an unpopular opinion and a lie,\u201d Sorkin says. \u201cAnd that kind of stayed with me.\u201d<\/p>\n<p>Sorkin has since said he blames Facebook for the <span><a data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/hub\/capitol-siege\">Capitol riot on Jan. 6, 2021<\/a><\/span>. Eventually, he was coaxed by Sony chief Tom Rothman and agent Ari Emanuel to wade back into one of his most beloved films. <\/p>\n<p>\u201cI said at the beginning I didn\u2019t want to write \u2018Jaws 2.\u2019 I didn\u2019t want to return and fail,\u201d says Sorkin. \u201cThen I met Frances Haugen and I met Jeff Horwitz and I started thinking more about it. I realized there was a terrific story and the only reason not to do it is being scared. And that\u2019s just not a good enough reason.\u201d<\/p>\n<p>\u201cThe Social Reckoning\u201d stars Mikey Madison as Haugen, a former data scientist at Facebook who became a whistleblower in 2021 and testified before Congress that Facebook was tuning its algorithm to put profit before public safety. Jeremy Allen White plays Wall Street Journal reporter Jeff Horwitz, a former Associated Press journalist. Jeremy Strong, not Jesse Eisenberg, plays Zuckerberg.<\/p>\n<p>Zuckerberg and Meta have yet to say anything publicly about \u201cThe Social Reckoning.\u201d The company declined to comment for this article.<\/p>\n<p>In prepping \u201cThe Social Network,\u201d Sorkin and producer Scott Rudin reached out to the company in an attempt to gain their cooperation. But after a lunch meeting, Facebook declined to participate \u2014 a blessing, Sorkin later realized. The script, Sorkin has said, \u201cwas vetted to within an inch of its life by a team of studio lawyers.\u201d A similar process has followed on \u201cThe Social Reckoning.\u201d<\/p>\n<p>\u201cI would have been happy to speak to him. I\u2019ve never met Mark. I don\u2019t know him at all,\u201d Sorkin says. \u201cAnd I don\u2019t pretend to have any insight into how his mind works, only the results of how his mind works, and then I kind of reverse engineer it.\u201d<\/p>\n<h2>Jeremy Strong takes over for Jesse Eisenberg <\/h2>\n<p>Sorkin initially reached out to Eisenberg about reprising the role of Zuckerberg. Before telling Eisenberg, or anyone else, of his plans, Sorkin spent two years researching and writing the screenplay.<\/p>\n<p>\u201cI didn\u2019t know that Jesse simply did not want to play Mark Zuckerberg ever again,\u201d Sorkin explains. \u201cI talked to him a lot over a three-day weekend. He was clear that he loves \u2018The Social Network,\u2019 he loves how it launched his career, and he just doesn\u2019t like being conflated with Mark Zuckerberg. I was just really lucky that Jeremy Strong had said, \u2018Hey, listen, if for some reason Jesse doesn\u2019t want to do it.\u2019\u201d<\/p>\n<p>\u201cIt\u2019s replacing Joe DiMaggio with Mickey Mantle,\u201d he adds. <\/p>\n<p>Strong\u2019s performance, Sorkin says, \u201cis a sight to see.\u201d While the writer-director was happy to have no direct contact with Zuckerberg, Strong emailed the Facebook co-founder.<\/p>\n<p>\u201cMark had no greater defender than Jeremy Strong, believe me,\u201d Sorkin says. \u201cEvery night I\u2019d get emails from him defending Mark. On the day we were shooting Jeremy\u2019s last scene, as soon as we were done, he ran up to me and for the first time spoke in his own voice. He had only been using Mark\u2019s voice. He came up to me and said, \u2018If I had been playing Jeff, I\u2019d have been defending Jeff.\u2019 It was very important to him that I know that he didn\u2019t mean any of that.\u201d<\/p>\n<p>When \u201cThe Social Network\u201d came out, it included a postscript note that was meant to be a shock to audiences \u2014 that Facebook then had 500 million users. It now has some 3 billion. According to a study by Pew Research, 38% of Americans get their news from Facebook. <\/p>\n<p>\u201cI have a lot of empathy for wanting to build something, wanting to create something,\u201d Sorkin says. \u201cHe has the kind of mind that can invent an entirely new social structure \u2014 one that he does feel comfortable in because he can sit at his keyboard. And it\u2019s one that a lot of people feel a lot more comfortable in. There\u2019s someone they can be at their keyboard that they can\u2019t in not-digital life.\u201d<\/p>\n<p>        <a href=\"https:\/\/apnews.com\/author\/jake-coyle\"><\/a><\/p>\n<p><img decoding=\"async\" alt=\"JAKE COYLE\" width=\"100\" height=\"100\" src=\"https:\/\/dims.apnews.com\/dims4\/default\/41525a6\/2147483647\/strip\/true\/crop\/1024x1024+0+0\/resize\/100x100!\/quality\/90\/?url=https%3A%2F%2Fassets.apnews.com%2F3d%2F04%2F047eee3a49afab66cfe0f0317879%2Fcoyle-jake.jpg\" loading=\"lazy\" \/><\/p>\n<p>        <\/p>\n<p>                <a href=\"https:\/\/apnews.com\/author\/jake-coyle\">JAKE COYLE<\/a><\/p>\n<p>                Coyle has been a film critic and covered the movie industry for The Associated Press since 2013. He is based in New York City.<\/p>\n<p>                        <a rel=\"noreferrer\" href=\"https:\/\/twitter.com\/jakecoyleAP\" target=\"_blank\" data-social-service=\"twitter\"><\/a><\/p>\n<p>        <svg><\/svg><\/p>\n<p>        <\/p>\n<p>    <span><br \/>\n        twitter<br \/>\n    <\/span><br \/>\n<\/p>\n<p>                        <a rel=\"noreferrer\" href=\"https:\/\/apnews.com\/cdn-cgi\/l\/email-protection#c3a9a0acbaafa683a2b3edacb1a4\" target=\"_blank\" data-social-service=\"mailto\"><\/a><\/p>\n<p>        <svg><\/svg><\/p>\n<p>        <\/p>\n<p>    <span><br \/>\n        mailto<br \/>\n    <\/span><br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>This image released by Sony Pictures shows writer-director Aaron Sorkin, left, with actor Mikey Madison on the set of \u201cThe Social Reckoning.\u201d (Leah Gallo\/Sony Pictures via AP) 2026-09-01T10:00:56Z NEW YORK (AP) \u2014 When Aaron Sorkin made 2010\u2019s \u201cThe Social Network,\u201d he had heard of Facebook, he said at the time, \u201cthe way I\u2019ve heard of&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2089","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/uscnews.org\/index.php?rest_route=\/wp\/v2\/posts\/2089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uscnews.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uscnews.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uscnews.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/uscnews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2089"}],"version-history":[{"count":0,"href":"https:\/\/uscnews.org\/index.php?rest_route=\/wp\/v2\/posts\/2089\/revisions"}],"wp:attachment":[{"href":"https:\/\/uscnews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uscnews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uscnews.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}